Chapter 3 - The Trauma DrawingWhile Iris Thorne was connecting the financial ties in Dallas, Chloe Cole was taken back to the state-supervised group home where she had lived for the past six months. Since the night of the murder, Chloe had been placed under the temporary legal guardianship of her uncle, Jared.

But Chloe hated her uncle’s massive, cold estate. She had stopped speaking entirely after the trial, withdrawing into a silent world where her only communication was through charcoal drawings.
The social worker, a kind-hearted woman named Sarah, sat beside Chloe in the home’s quiet library. Chloe was staring blankly at a large sheet of drawing paper, her small fingers gripping a black charcoal stick.
“Chloe,” Sarah said softly. “The Warden said you spoke to your father today. Can you tell me what you said to him?”
Chloe didn’t look up. Instead, her hand began to move across the paper with a sudden, frantic energy.
Sarah watched, her breath catching in her throat as the drawing began to take shape.
It was a rendering of the Cole family living room on the night of the murder. It showed a woman lying on the floor beside a shattered glass coffee table. Standing over her was a tall, broad-shouldered man wearing a dark, button-down shirt. Hidden behind a heavy curtain in the hallway was a tiny, stick-figure girl, her eyes drawn wide with terror.
But it was the details of the man’s shirt that made Sarah’s heart hammer against her ribs.
Chloe had carefully shaded the shirt with a distinct pattern of vertical stripes, a style Gavin Cole had never worn. Gavin was a mechanic and a blue-collar worker who wore plain, heavy canvas work shirts.
But Jared Cole was famous in the local business journals for his custom-tailored, vertically striped Italian silk shirts.
Sarah immediately pulled out her phone and snapped a high-resolution photograph of the drawing, sending it directly to Iris Thorne’s private email.
Ten minutes later, Iris’s phone rang. It was an encrypted, unregistered number.
“Is this Iris Thorne?” a gravelly, trembling voice asked from the other end.
“Yes. Who is this?”
“My name is Oscar Miller,” the man said, his breathing shallow. “I was the landscaper for the Cole estate five years ago. I left the state the morning after Nora Cole was reported dead. I’ve been hiding in New Mexico ever since.”
Iris gripped her pen. “Why did you run, Oscar?”
“Because I saw who came out of that house,” Oscar whispered, his voice cracking with a guilt that had fermented for five years. “It wasn’t Gavin. Gavin was at his workshop three miles away; I had just talked to him on the phone. The man who walked out of that house, carrying a heavy canvas bag and wearing a blood-stained striped shirt, was Jared. And there’s something else you don’t know, lady. Something that will tear the whole state apart.”
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“What is it, Oscar?”
“Nora Cole didn’t die that night.”