Chapter 1

The cupcakes were the problem.
Not the offer, not the suit, not the six-foot-three man blocking my refrigerator. The cupcakes. Twelve strawberry cupcakes with cream cheese frosting, cooling on the rack, and a landlord on the other end of the phone that morning telling me another offer had come in on the building on Damen.
*Unless you produce the deposit by Monday morning.*
I had hung up and gone back to work, because that is what you do when your hands are shaking — you find something to do with them.
My name is Sophie Bennett. I am twenty-nine years old, I have worked in other people’s kitchens since I was fifteen, and I have exactly one thing in this world that I want, and it is a storefront with a red awning and my father’s name over the door.
Bennett’s Bakery.
He never got to see it. He died when I was nineteen, in a hospital on the south side, with the smell of his own bread still in his hands. He had a notebook — a real one, paper, coffee-stained — full of recipes he had been developing for a shop he was going to open when he retired. The notebook is in a box in my apartment. I have read it so many times that the spine has given up.
I was thinking about the notebook when the kitchen went quiet.
That is the thing about a kitchen. It is never quiet. It is the loudest room in any building — the fans, the burners, the radio, the dishwasher, the shouting. So when a kitchen goes quiet, it means someone walked in who is not supposed to be there.
I looked up.
He was standing in the doorway between the prep station and the walk-in, in a charcoal suit, with his hands loose at his sides and two men behind him in black coats. He did not look like a customer. He looked like a building that had decided to stand in a doorway.
“Do you know who I am?” he asked.
“Yes. And you’re blocking my refrigerator.”
One of the men behind him made a sound like a small animal being stepped on. I picked up the tray of cupcakes and moved toward the refrigerator, and because he did not move, I put my hip against his elbow and pushed.
“Move. You’re warming my buttercream.”
And he moved.
I want to be honest about that, because it mattered. In my experience, men who wear suits like that do not move. They wait, and the world rearranges itself around them. This one stepped aside the way a person steps aside, and stood with his back against the steel counter, and watched me slide twelve cupcakes into a refrigerator that was too full and too old.
“Why does a man with half of Chicago afraid to make eye contact with him need a wife?” I asked, closing the door.
“A temporary wife.”
“Try a temporary dating app.”
His mouth moved. Almost a smile. Almost.
Luke Marino owned restaurants — fourteen of them — and three hotels, and a private club on Wacker that had a two-year waiting list and a membership list nobody had ever seen. That was the part that was printed. The other part was the part people whispered, and I had heard it, because kitchen staff hear everything. The other part had no name in it, only verbs.
“You have four minutes,” I said.
He took off his jacket.
I did not expect that. He folded it once and laid it over the back of a stool, and rolled his sleeves to the elbow, and I saw a scar on his forearm, old and white, that ran from his wrist toward his elbow like a seam.
“Give me something to do,” he said.
I looked at him for a second. Then I handed him the bowl of pink frosting and a piping bag.
“My watch costs forty-two thousand dollars,” he said carefully, holding the bag like it was a loaded weapon.
“You dramatically overpaid.”
And Luke Marino laughed.
Not the polite laugh that rich men keep in a drawer for staff. A real one — startled out of him, loud, from the chest. Behind him, the man named Mark — I learned his name later — actually flinched.
“You hold it like a pencil,” I said. “Not a hammer. You’re squeezing from your shoulder. Squeeze from your fingers.”
He tried. The first swirl came out wrong, a lopsided comma of pink on the parchment.
“That’s terrible,” I said.
“Yes.”
“Do it again.”
He did it again. It was still terrible. He did it a third time, and something in his shoulders dropped half an inch, and I understood — the way you understand things in a kitchen, faster than you understand them in a conversation — that the man in front of me did not get to do things badly very often.
“My grandmother turns eighty next month,” he said. “She’s been sick.”
I stopped teasing. There is a tone people use when they mention a sick grandmother, and it is not a tone you joke over.
“She’s recovering,” he said. “She’s going to be fine, they think. But she’s spent the last year in a house with nurses, and she’s had time to think, and she’s decided she’s worried about me.”
“About what?”
“That I’ve spent twenty years surrounded by people who only tell me what I want to hear.” He set the piping bag down. “She wants to see me settled.”
“Then find someone you like.”
The kitchen was loud around us — the fans, the radio, the dishwasher — and inside that noise there was a silence that belonged only to him.
“There isn’t anyone,” he said.
“That’s either sad or evidence of a personality problem.”
“Possibly both.”
Then he looked at me. Properly. And I had the unpleasant experience of being looked at by a man who was not in the habit of asking for things and had decided to ask for something anyway.
“In fourteen minutes,” he said, “you have criticized my watch, my kitchen manager, my personality, and my ability to stand near refrigerated desserts.”
“You forgot my ego.”
“And you made me laugh.”
Something moved under my ribs, small and warm, and I crushed it the way you crush a spark that lands on a dry floor.
“Lying to your sick grandmother is still a terrible idea,” I said.
“One hundred thousand dollars.”
My hand stopped above the cupcakes.
The radio kept playing. The dishwasher kept running. Somewhere out in the dining room a server dropped a glass and swore.
“For what?” I asked.
“Three months.”
I turned around slowly.
“You’re offering me a hundred thousand dollars to pretend to be your wife.”
“Yes.”
“No secret wife? Children? Tax disaster? Terminal disease?”
“No.”
“Then what exactly is wrong with you?”
He did not laugh at that one.
I should have laughed. Normally I would have. But a hundred thousand dollars is not a funny number. It is not a number at all — it is a door, and behind the door is a red awning and a glass case and my father’s name painted on the window in gold leaf, the way he always said he wanted it.
Eighty-two thousand dollars. That was the gap between me and the building. I had run the number so many times that I could see it when I closed my eyes.
“Three months,” I said. It came out as a whisper, which annoyed me.
“Three months. Then we divorce, and you keep every dollar.”
He reached into his jacket and laid a folded contract on the counter beside the cupcakes. It was already signed. His name was on the last page in black ink, and the signature was not the careful loop of a man performing — it was fast and flat, the way people sign things they have signed ten thousand times.
I picked it up.
And under his signature, in a clause he had not mentioned, there was a condition.
I read it once. Then I read it again, because the first time my eyes slid off it. My fingers went cold around the paper.
“Live in your house,” I said.
“Live in my house.”
“Attend every family event.”
“Every one.”
“Convince your grandmother the marriage is real.”
“That,” he said, “is the whole job.”
I looked at the page. I looked at the man. I looked at the twelve cupcakes in the refrigerator, which I had made that morning at five o’clock, the way I had made cupcakes at five o’clock every morning for seven years.
May you like
Pride is expensive. I had known that my whole life. I just had never had anyone put a price on it before.
“Where do I sign?”