Briefnow

Chapter 4

The invitation came on a Tuesday.

Elena Marino’s eightieth birthday, in the ballroom of the Palmer House, on the last Saturday in October. Five hundred guests. Black tie. The card was cream and heavy and engraved, and my name was on it, printed in the same font as everyone else’s.

*Miss Sophie Bennett.*

I looked at that card for a long time.

“He put my name on the invitation,” I said.

“He did not put your name on the invitation,” Luke said, reading over my shoulder. “My grandmother did. My father would have written *and guest.*”

The three weeks before the party were the strangest of my life.

I worked. That was the rule — my job came first, and Luke never once violated it. I was at the restaurant at five every morning and I did not leave until the dinner service was running, and he never called me during a shift, and he never once asked me to be anywhere before eight at night. He learned the restaurant’s schedule the way a man learns a new city. He knew when the Friday rush started. He knew which server was pregnant and which one was quitting.

And at night, in the penthouse, we built a marriage out of nothing.

That is the only way I know how to describe it. We sat at the island and he asked me questions and I answered them, and I asked him questions and he answered them, and by the second week I knew things about Luke Marino that no one in Chicago knew.

I knew that his mother had left when he was nine and that his father had told him, that same week, that she had “chosen a different life,” which was technically true and also a lie, and that Luke had found out the real story at nineteen and had never once told his father he knew.

I knew that he had learned to cook at twelve because his grandmother had put him in her kitchen after his mother left, and had said *sit here and chop this and don’t talk,* and had let him cry at the counter without ever mentioning it, and that she had done it every day for a year.

I knew that the scar on his forearm was from a car accident when he was twenty, and that he had told everyone it was a car accident, and that it was not.

And I knew — I learned this slowly, over three weeks, the way you learn a language — that Luke Marino was not, in fact, the most feared man in Chicago.

He was a man who had been made to be feared, by a father who understood that fear was cheaper than respect, and who had spent twenty years learning that it worked, and who had never once, in his entire life, had somebody in a kitchen tell him he held a piping bag wrong and then ask him to try again.

On the Thursday before the party, Mark drove us out to Lake Forest.

I had asked to go. Luke had not wanted to. We had argued about it for two days — actually argued, standing in the penthouse kitchen, me with flour on my hands and him with his sleeves rolled up — and I had won, because I had made an argument he could not answer.

“Your father bought my building,” I said. “I’m not going to meet him for the first time in a ballroom with five hundred people watching. I want to look at him in his own house, where he thinks he’s in charge.”

So we went.

The house was enormous and cold and looked like a photograph of a house — a thing staged for viewing, nothing out of place, no chair positioned the way a chair gets positioned when someone actually sits in it. A housekeeper took our coats. A man in a suit led us to a study.

Vincent Marino was standing at the window.

He was smaller than I expected. That surprised me — I had been braced for a bigger version of Luke, and instead I got a narrow, gray man with careful eyes and a handshake that lasted half a second too long, the way a man shakes hands when he is measuring something.

“Miss Bennett,” he said. “The baker.”

“The baker,” I said.

“My son tells me you’re remarkable.”

“My son tells me a lot of things,” I said. “Mostly about himself.”

Behind me, Luke made a sound that was almost a cough.

Vincent smiled. It was a good smile. It did not reach anything.

“I understand you have a restaurant,” he said. “And a plan for a storefront on Damen.”

“I did.”

“And now you don’t.”

I looked at him for a long moment. He was waiting — I could see it, the way a man waits when he has set a trap and wants to watch you walk into it. He wanted me to be angry. He wanted me to be afraid. Either one would have told him what he needed to know.

“That’s a very expensive way to meet your son’s girlfriend,” I said.

Vincent’s smile stayed exactly where it was.

“I don’t buy buildings to meet people, Miss Bennett,” he said. “I buy buildings because I own things.”

I felt Luke go rigid beside me.

And I understood, standing in that cold room with the photograph-house around me, exactly what kind of man I was dealing with. Not a man who wanted his son to fail. A man who did not believe his son could succeed at anything he had not arranged himself.

“Well,” I said, “you own a building on Damen. And I own a notebook.”

Vincent blinked.

“My father’s notebook,” I said. “Sixty-two recipes, in his handwriting, with the notes he made when they didn’t work the first time. You can’t buy it. It’s not for sale. And the bakery is going to have his name on the window, whether it’s on your street or somebody else’s.”

The room was very quiet.

Vincent Marino looked at me for a long time. And then he did something that I did not understand until much later.

He looked at his son.

Not at me — at Luke, standing at my shoulder, silent, with his hand at his side. He looked at Luke the way a man looks at a thing he has been trying to build for thirty years and has just found a crack in.

“Well,” Vincent said. “She’s better than the last one.”

Luke’s hand found mine.

“Don’t,” he said quietly.

“Don’t what?”

“Don’t let him—”

“Let him what?” Vincent asked pleasantly.

Luke did not answer.

We left ten minutes later. In the car, on the drive back down the long gravel road, Luke did not speak for a mile. Then he said, without looking at me:

“He’s going to come at you now.”

“At me.”

“Not the building. Not the money. He’ll come at the thing you care about, because that’s the only way to make you leave, and he knows it.” He looked at me. “I should never have brought you into this.”

I looked out the window at the trees going past.

“You didn’t bring me into it,” I said. “You offered me a hundred thousand dollars and I said yes, and I’m an adult, and I made my own choice. And I’m going to keep making it.”

May you like

Luke did not say anything.

But in the dark of the car, his hand stayed in mine the whole way back to the city, and neither of us let go.

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